1819-1877 French Gustave Courbet Locations was a French painter whose powerful pictures of peasants and scenes of everyday life established him as the leading figure of the realist movement of the mid-19th century. Gustave Courbet was born at Ornans on June 10, 1819. He appears to have inherited his vigorous temperament from his father, a landowner and prominent personality in the Franche-Comte region. At the age of 18 Gustave went to the College Royal at Besancon. There he openly expressed his dissatisfaction with the traditional classical subjects he was obliged to study, going so far as to lead a revolt among the students. In 1838 he was enrolled as an externe and could simultaneously attend the classes of Charles Flajoulot, director of the ecole des Beaux-Arts. At the college in Besançon, Courbet became fast friends with Max Buchon, whose Essais Poetiques (1839) he illustrated with four lithographs. In 1840 Courbet went to Paris to study law, but he decided to become a painter and spent much time copying in the Louvre. In 1844 his Self-Portrait with Black Dog was exhibited at the Salon. The following year he submitted five pictures; only one, Le Guitarrero, was accepted. After a complete rejection in 1847, the Liberal Jury of 1848 accepted all 10 of his entries, and the critic Champfleury, who was to become Courbet first staunch apologist, highly praised the Walpurgis Night.  Related Paintings of Gustave Courbet :. | Self-Portrait | The Trout | The Origin of the World | The Beach at Saint Aubin sur Mer | Portrait of Louis Gueymard |
Related Artists:
William Henry Furness
(1802-1896) was an American clergyman, theologian, reformer and abolitionist. Following the American Civil War, he raised funds for Black schools in the South, including Morehouse College. A graduate of the Theological Department of Harvard University, Furness became the Minister of the First Unitarian Church of Philadelphia at the age of 22. A close friend of Ralph Waldo Emerson, Furness presided over a period marked by the growth and increasing prosperity for First Church. A fiery abolitionist, Furness was a supporter of the rights of all segments of society, including African-Americans and Jews. He also lived to see the construction of the current church building in 1885 in the role of Minister Emeritus. Rev. Furness was the father of painter William Furness, Shakespearean scholar Horace Howard Furness, architect Frank Furness, and author and translator Annis Furness Lee.
Anton Melbye
(1818-1875) was a Danish painter. He studied at the Royal Danish Academy of Fine Arts and was a private student of Christoffer Wilhelm Eckersberg. He achieved international success as a marine artist, travelling widely especially to Morocco and Turkey. His paintings are realistic, often enhanced with dramatic light and weather effects as in Eddystone Lighthouse (1846) which earned him the Thorvaldsen Medal. He was also influenced by Camille Corot whom he met in Paris where he lived from 1847 to 1858. While in Paris he met Napoleon III who ordered a large painting from him.
Carl Fredrik Hill
Swedish Painter, 1849-1911,Swedish painter and draughtsman. He grew up in the university city of Lund, where his father was a mathematics professor. Despite severe opposition from his father, he studied landscape painting at the Konstakademi in Stockholm (1871-2), under Johan Edvard Bergh and Per Daniel Holm (1835-1903). He also frequently copied Dutch Old Masters, particularly Jacob van Ruisdael. After seeing the work that Alfred Wahlberg had sent home from Paris, Hill began to abandon his initial approach to form and colour, and he left for Paris in November 1873. His most important experience there was his encounter with the painting of Jean-Baptiste-Camille Corot: 'Corot has discovered a new world, because he has discovered a new way of looking at the old', he wrote in a letter. Other contemporary French painters Hill admired were Alexandre-Gabriel Decamps, Charles-Fran?ois Daubigny, Jean-Franeois Millet and Theodore Rousseau. From Courbet he learnt how to use colour to suggest the surface texture of stone quarries and gravel hills. In Barbizon in 1874 and 1875 Hill met the Hungarian painters Laszlo Pael and Mihaly von Muncacsy. His paintings of this time, for example Autumn Landscape, Evening: Fontainebleau (1875; Malm?, Kstmus.), are characterized by their dark 'luminarism' and their debt to Corot's later works.